20 Thrilling Movies Like Pulse

By Published On: March 25,2025 Last Updated: March 25,2025 7308 words 36.6 min read

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Released in 2001, Pulse (or Kairo) has solidified its status as a cornerstone of Japanese horror, mesmerizing audiences with its unsettling examination of how technology impacts human relationships. Under the direction of Kiyoshi Kurosawa, the film draws viewers into a haunting atmosphere where the boundaries between reality and the supernatural dissolve, provoking feelings of profound loneliness and despair. The narrative critiques contemporary life, highlighting the existential fears that arise in our increasingly techcentric world. In this article, we present 20 films that evoke similar sensations of unease, psychological horror, and the everpresent dread of the unknown, making them ideal companions for anyone who found Pulse both disquieting and intellectually stimulating.

20 Thrilling Movies Like Pulse

1. Cure (1997)

Directed byKiyoshi Kurosawa

Release Date: May 10, 1997

In Cure, a series of inexplicable murders grips Tokyo, with each perpetrator claiming to have no memory of committing the crime. Detective Takabe, portrayed by Kōji Yakusho, embarks on a harrowing investigation into this puzzling phenomenon. As he delves deeper, he unravels a perplexing psychological labyrinth that confronts the themes of fear, identity, and the unsettling effects of societal pressure. The disturbing premise is accentuated by haunting imagery and the oppressive atmosphere that surrounds the characters, leaving viewers unsettled throughout.

For instance, the film artfully utilizes minimalistic sound design and sparse dialogue, amplifying the tension and highlighting the characters' psychological deterioration. Takabe’s obsession with understanding the motivations behind these unwitting killers slowly morphs into a personal struggle as he becomes haunted by the very essence of fear he seeks to understand. The slowburning narrative juxtaposes moments of intense horror with contemplative psychological depth, making it an exemplary piece of cinema that lingers in the mind.

Cure delves into themes of memory and identity, mirroring Pulse’s exploration of alienation in a technological age. Both films convey a gradual descent into psychological horror, compelling viewers to question the distinctions between sanity and madness. The careful pacing and characterization in Cure create a sense of dread that blossoms quietly, akin to the haunting revelations in Pulse.

By examining the effects of societal disconnection, Cure prompts reflection on how individuals can be unknowingly affected by collective trauma. The unsettling notion that violence can stem from an eroding sense of self resonates powerfully within both films, drawing connections to the profound anxieties that pervade modern existence.

2. Tetsuo, the Iron Man (1989)

Directed byShinya Tsukamoto

Release Date: October 21, 1989

In Tetsuo, the Iron Man, a provocative and experimental film, we follow a Salaryman who experiences a harrowing transformation after a freak accident involving a metal fetishist. The film seamlessly blends body horror with cyberpunk aesthetics, presenting a visceral exploration of the human psyche in a world overrun by technology. Tsukamoto employs rapid cuts, stark blackandwhite cinematography, and a pulsating industrial soundtrack to immerse viewers into the chaotic mindscape of its protagonist, who finds himself merging with metal—an unsettling metaphor for the loss of humanity in an increasingly mechanized society.

The relentless pace of the film embodies the sensations of anxiety and alienation faced in urban environments. Each scene is infused with a raw energy, accentuated by graphic visual effects that depict the grotesque melding of flesh and machinery. This transformation is not merely physical; it symbolizes the struggle between man and machine, questioning the essence of identity in a contemporary world dominated by technology.

An iconic scene showcases the protagonist's body morphing into a grotesque amalgam of human and metal, highlighting the fear of losing one’s humanity as society becomes increasingly automated. The film challenges viewers with its avantgarde storytelling; every shot and sound is designed to provoke visceral reactions, making it not just a film, but an experience that lingers with its audience long after viewing.

Both Tetsuo, the Iron Man and Pulse delve into themes of technological alienation and isolation, offering stark depictions of how modern advancements can transform the human experience. While Pulse presents existential dread through supernatural elements, Tetsuo explores it through body horror and industrial imagery, reinforcing the anxiety surrounding our relationship with technology.

The fastpaced, chaotic nature of Tetsuo parallels the creeping dread of Pulse, as both films create an atmosphere where the human condition is dissected and challenged. In Tetsuo, the transformation into a monstrous hybrid serves as a statement on the loss of agency and identity in a world where the lines between man and machine blur—an urgent commentary that resonates deeply in our modern age.

3. Dark Water (2002)

Directed byHideo Nakata

Release Date: January 19, 2002

Dark Water tells the haunting story of Yoshimi Matsubara, a divorced mother played by the talented Hitomi Kuroki, who moves into a dilapidated apartment with her young daughter, Ikuko. As they settle into their new home, supernatural disturbances begin to manifest, centering around a mysterious water leak that seems to carry unsettling secrets. The film delves into themes of domesticity and the fears embedded in motherhood, exploring how the past can seep into the present—quite literally, in this case.

The narrative unfurls slowly, creating an atmosphere thick with tension and emotional resonance. Symbolism is rife throughout the film, particularly with water, representing both life and decay. The leaking water, which at first seems innocuous, becomes a source of dread, mirroring Yoshimi’s internal struggles as she grapples with parental anxiety and feelings of inadequacy. The film strategically utilizes sound design and visual storytelling to build suspense, allowing the audience to feel the weight of Yoshimi's despair as her mental state deteriorates alongside the physical manifestations of the supernatural.

An impactful scene occurs during one of Yoshimi's encounters with the apartment's eerie occurrences—a moment where a seemingly innocent object transforms into a harbinger of dread. This manipulation of everyday domesticity into something sinister enhances the sense of unease, making viewers question the safety of their own homes.

Both Dark Water and Pulse explore the psychological horror that lurks beneath the surface of everyday life. Dark Water reflects themes of isolation and despair, paralleling Pulse’s examination of the disconnection that technology can foster in human relationships. The oppressive atmosphere and emotional depth present in both films invite viewers to ponder profound questions about loneliness, motherhood, and existential dread.

Each film creates a palpable sense of unease as it expertly blurs the lines between reality and the supernatural, forcing characters—and viewers—to confront their fears and unresolved traumas. The haunting conclusions in both stories leave you unsettled for days, making Dark Water a compelling choice for anyone drawn to the chilling psychological exploration that characterized Pulse.

4. It Follows (2014)

Directed byDavid Robert Mitchell

Release Date: March 13, 2015

It Follows centers around Jay, a teenager portrayed by Maika Monroe, who becomes the target of a relentless, supernatural entity after a seemingly innocent sexual encounter. This malevolent force has one chilling characteristic: it takes on the appearance of various people and relentlessly stalks its prey with the singular aim of causing death. The film opens with a gripping scene that sets the ominous tone, as a young woman attempts to escape from the entity in a terrifyingly voyeuristic feel that lingers long after the credits roll.

The structure of the film cleverly builds suspense by employing slow, tracking shots that create a sense of paranoia. The ongoing dread of being pursued imbues even mundane settings—such as a quiet suburban neighborhood—with an unsettling tension. It challenges viewers not only with its horror elements but also with deeper reflections on intimacy, trust, and the burdens of adulthood thrust upon youth.

Mitchell masterfully captures the essence of a generation facing cumulative anxieties around sexuality and responsibility. The film’s unique premise serves as a metaphor for the emotional and psychological aftermath of sexual relationships, suggesting that the shadows of our past can haunt us in unimaginable ways. For example, the repeated motif of characters passing an unseen burden reflects the reality that personal connections can have lasting consequences.

Both It Follows and Pulse delve into the psychological ramifications of modern life, illuminating how technology and intimacy can intertwine with horror and selfdoubt. While Pulse examines alienation in a techdriven world, It Follows tackles the fear of the unknown, projecting societal anxieties surrounding human connection and the threats that can ensue.

The inescapable entity in It Follows mirrors the supernatural dread in Pulse, where both forces serve as metaphors for unresolved trauma and existential fear. The haunting nature of the curse in It Follows resonates with the insidious anxiety present in Pulse, ultimately leading audiences to reflect on their own lives, relationships, and the hidden phantoms that may follow them.

5. Pulse (2006)

Directed byJim Sonzero

Release Date: August 11, 2006

The American remake of the Japanese classic, Pulse, amplifies the chilling themes of the original while introducing a Western audience to the anxieties of our technologically saturated lives. In this version, college students are drawn into a nightmarish reality when a mysterious internet connection begins to unleash a sinister force that threatens to consume them. The film follows a group of friends who unwittingly become embroiled in a struggle against a relentless entity that manifests through the very technology meant to connect them.

Right from the outset, the film establishes a sense of isolation amid a bustling urban backdrop, evocatively illustrating how technology can ironically foster disconnection. Visually striking and steeped in palpable tension, the film makes effective use of atmospheric sound design and haunting visuals. The terror intensifies as the characters confront their worst fears while battling an unseen presence that can infiltrate their lives via the very devices they rely on.

For instance, one particularly haunting sequence depicts a character helplessly trapped in an endless digital nightmare, symbolizing the insidious nature of technology that can offer connection but simultaneously serve as a gateway to despair. This moment not only critiques reliance on technology but also reflects broader societal concerns about privacy and the everinvading presence of the internet in our daily lives.

While Pulse (2006) reinterprets the original story, it retains the existential dread and psychological horror that characterized Pulse (2001). Both films explore the implications of being continually connected to the digital world while simultaneously experiencing profound isolation, emphasizing humanity's struggle against forces beyond their comprehension.

As characters grapple with the terror of the unknown and the specter of impending doom, the film serves as a stark reminder of the emotional and psychological toll that technology can impose. This thematic parallel deepens the narrative, inviting viewers to question their relationship with technology and its potential consequences. The pervasive fear of surveillance, alienation, and loss of identity resonates deeply, making Pulse (2006) a fitting addition to the canon of films that investigate the darker side of modern existence.

6. Friend Request (2016)

Directed bySimon Verhoeven

Release Date: December 9, 2016

In Friend Request, the story unfolds around Laura, a college student expertly portrayed by Alycia DebnamCarey, who is eager to fit in and maintain her social status. After accepting a friend request from a mysterious and lonely classmate, Marina, she soon realizes that her seemingly harmless decision unleashes terrifying consequences. As Marina’s obsession spirals out of control, Laura finds herself engulfed in a world of supernatural horror that targets not just her but also her closest friends.

The film adeptly captures the pervasive influence of social media on modern life and relationships, showcasing how digital connections can warp into something sinister. Verhoeven uses clever visual storytelling and unsettling sound design to evoke a palpable tension, from the ominous background music that escalates during critical moments to the visually striking sequences demonstrating the dark side of instant connectivity.

For example, the film’s use of social media imagery underlines the themes of isolation and the dangers inherent in superficial online interactions. As the body count rises, the film delivers poignant commentary on the intersection of technology and mental health, exploring how the pressures of online personas can lead to dire consequences.

One particularly memorable scene captures the horror of a livestreamed death, driving home the shocking realization of how easily exploitation can occur in the realm of social media. This blending of reality with supernatural elements serves as a chilling reminder of our increasingly interconnected lives and the vulnerabilities that come with them.

Friend Request shares thematic links with Pulse in its portrayal of how technology can betray us, highlighting the darker aspects of human connection facilitated by the digital age. Both films delve into the perils of disconnection and isolation, with supernatural elements serving as manifestations of these fears.

The horror in Friend Request derives from the idea that one's past decisions and connections can haunt them, akin to the existential dread found in Pulse. Furthermore, both films provide a critique of modern relationships, questioning the authenticity of our digital lives and the monsters that can emerge from our screens. As viewers witness Laura’s escalating terror and paranoia, it prompts deeper reflection on the implications of their own online interactions in an age where technology often blurs the lines between friend and foe.

7. The Orphanage (2007)

Directed byJ.A. Bayona

Release Date: October 31, 2007

The Orphanage follows Laura, played by the evocative Belén Rueda, who returns to the abandoned orphanage where she grew up, intending to transform it into a home for disabled children. However, her plans quickly take a chilling turn when her son, Simón, begins to communicate with invisible friends, leading to a series of unsettling events that unravel both Laura's past and her sanity. As strange occurrences escalate, Laura is drawn into a haunting mystery surrounding the orphanage and the dark secrets it harbors.

What sets The Orphanage apart is its masterful blend of emotional depth and atmospheric horror. The film’s cinematography uses shadow and light to emphasize the oppressive gloom that hangs over the orphanage, creating an environment that feels alive with secrets. Bayona skillfully utilizes sound design to build tension, making every creak and whisper amplify the sense of dread as Laura investigates the origins of her son’s new friends.

A particularly poignant moment occurs when Laura discovers chilling artifacts from her past, forcing her to confront her own memories and the tragic history of the orphanage. This reflection highlights the overarching theme of motherhood and the lengths a parent will go to protect their child. The film expertly weaves personal grief and supernatural elements, creating a tapestry of horror that resonates on both emotional and visceral levels.

The Orphanage shares core thematic elements with Pulse, especially in its exploration of isolation and the haunting weight of the past. Both films delve into how unresolved trauma can manifest into psychological horror, ultimately leading protagonists to confront existential fears and emotional turmoil.

The slow reveal of secrets in The Orphanage mirrors the psychological dread present in Pulse, as both narratives build upon an atmospheric intensity that leaves viewers in suspense. Just as Pulse critiques the impact of technology on human connection, The Orphanage examines the bonds of family and the haunting presence of memories long buried. Both films invite the audience to contemplate the fragility of human relationships and the terrifying consequences of confronting what lies beneath the surface.

8. Silk (2006)

Directed byFranois Girard

Release Date: November 13, 2006

Silk is a visually striking adaptation of Alessandro Baricco’s novel, which weaves a tale of love, loss, and the ethereal boundaries between the living and the dead. Set in the 19th century, the film follows Hervé Joncour, portrayed by Michael Pitt, a French silkworm merchant who embarks on a journey to Japan to procure rare silkworm eggs. However, his travels lead him to become infatuated with the beautiful and enigmatic concubine, Suna, played by Kōki Mizuna.

The film excels in its hauntingly poetic storytelling, combining lush cinematography with a genuinely atmospheric score by composer Clara Peya. The delicate strands of silk serve as a metaphor for the interwoven relationships and cultural contrasts that permeate the narrative. Hervé’s obsessive romantic pursuit brings forth themes of desire that defy borders, as his longing transcends physical distance and cultural barriers.

A pivotal moment occurs when Hervé’s return leads to dramatic consequences, entwining his fate with Suna's in ways he could never have anticipated. The film explores the sacrifices one makes in the name of love, as well as the haunting ramifications of unfulfilled desires. This emotional depth is captured through vibrant imagery, especially in scenes that juxtapose tranquil Japanese landscapes with the harsh realities of Hervé's choices back home in France.

Both Silk and Pulse delve deep into the human experience, illuminating themes of longing, connection, and the impact of choices on one's life. While Pulse examines the psychological effects of isolation in a technologydriven world, Silk reflects on the heart's desires and the consequences that arise from crossing boundaries—both interpersonal and cultural.

The sense of haunting in Silk, manifested through Hervé's unresolved obsession, mirrors the inescapable presence of fear and isolation present in Pulse. Both films evoke a rich tapestry of emotion, compelling viewers to consider the longing for connection amidst overwhelming odds. As they navigate the intricate threads of their respective stories, audiences are left with haunting reflections that linger long after the credits roll.

9. The Forest (2016)

Directed byJason Zada

Release Date: January 8, 2016

The Forest follows Sara, played by Natalie Dormer, a determined twin who ventures into Japan's infamous Aokigahara Forest, known as the "Sea of Trees," to search for her missing sister, Jess. Aokigahara is notorious for its associations with suicide and is steeped in myths and haunting folklore. Sara’s journey soon transforms into a terrifying battle for survival as she confronts supernatural forces and the dark truths hidden within the forest.

The film artfully blends psychological horror with cultural elements, creating a palpable sense of dread. The dense, foreboding atmosphere of Aokigahara serves as a character in its own right, its shadows and eerie silence amplifying the tension as Sara navigates the treacherous terrain. Cinematographer Mattias Troelstrup captures the forest's chilling beauty, immersing the audience in its profound stillness and lurking dangers.

One particularly memorable scene showcases Sara’s disorienting experiences within the forest, where the landscape shifts unexpectedly—a reflection of her internal struggles with grief, guilt, and her own mental state. This portrayal emphasizes the forest’s duality: a stunning natural wonder infused with darkness that preys on lost souls. As Sara encounters restless spirits and hears unsettling whispers, the film delves into themes of loss, regret, and haunting memories that refuse to fade.

The Forest and Pulse share a common thread in their exploration of psychological horror and the profound effects of isolation. Both films reveal how personal demons can manifest into terrifying realities, and how the settings—be it the haunted internet of Pulse or the supernatural landscape of Aokigahara—reflect the inner turmoil of their protagonists.

Furthermore, both stories highlight the theme of interconnectedness, emphasizing how past traumas can haunt individuals and influence their realities. Sara's quest in The Forest to uncover her sister's fate resonates deeply with the existential dilemmas faced by characters in Pulse, as they grapple with the invisible forces that shape their lives. This intertwining of psychological depth and supernatural horror invites viewers to reflect on their own fears and the lingering specters of the past.

10. The Eye (2002)

Directed byTakashi Shimizu

Release Date: March 28, 2002

The Eye follows the harrowing journey of Mun, a young woman portrayed by Jessica Alba, who receives a corneal transplant that grants her the ability to see spirits. Initially thrilled by her newfound sight, Mun soon discovers that her ability comes with terrifying consequences. As she begins to experience horrifying visions of the dead, she embarks on a quest to uncover the dark secrets behind her donor and the deceased that haunt her.

The film effectively marries emotional depth with supernatural horror, skillfully capturing Mun's psychological turmoil as she grapples with her visions. The cinematography brings the eerie atmosphere to life, with carefully constructed tension and unsettling visuals that leave viewers on the edge of their seats. One standout scene features Mun walking through a darkened corridor, where the shadows seem to twist and fold into sinister shapes, inviting the audience to confront their own fears of the unseen.

Important themes of isolation, loss, and the burden of hidden truths permeate the narrative. The emotional stakes deepen as Mun learns that the very act of seeing the spirits can severely impact her psyche and relationships. The film's poignant exploration of grief makes it more than just a typical horror flick; it encourages viewers to reflect on their perceptions of death and loss, as well as the lingering connections that can persist even after someone has passed.

Both The Eye and Pulse delve into the psychological consequences of advanced technology and the unseen forces that influence human lives. While Pulse portrays the chilling effects of digital alienation, The Eye examines the depths of human connection and the trauma that accompanies loss.

The haunting specters facing Mun mirror the psychological dread experienced by characters in Pulse, as both films evoke a sense of disconnection and fear that stems from unresolved traumas. The oppressive atmospheres created in both narratives compel viewers to confront their own fears about mortality and the unknown. In The Eye, the protagonist's realization that seeing the dead can impact her living relationships parallels the existential reflections in Pulse, inviting audiences to ponder the implications of their interactions with both technology and memory.

11. Retribution (2006)

Directed byKiyoshi Kurosawa

Release Date: June 10, 2006

Retribution follows Detective Yoshioka, played by the talented Hideo Nakata, who is drawn into a chilling investigation after encountering a series of gruesome murders purportedly linked to a supernatural force. The film starts with Yoshioka witnessing a haunting vision of a woman in red, which escalates into a surreal and terrifying journey as he becomes entangled in an unsettling web of guilt and past traumas.

The film brilliantly combines elements of psychological horror with a detective narrative, creating an atmosphere thick with suspense and emotional complexity. Kiyoshi Kurosawa expertly utilizes visual storytelling to convey the protagonist’s descent into paranoia and madness, employing striking imagery that provokes deep unease. One particularly gripping scene shows Yoshioka grappling with the blurred lines between reality and hallucination, drawing viewers into his spiraling mental state.

The themes of guilt and the lingering effects of past actions permeate the narrative, as Yoshioka's investigation reveals connections between the victims and his own life. The haunting nature of the murders serves as a powerful metaphor for the inescapability of repressed memories and the consequences of unresolved guilt. The dense atmosphere is further enhanced by a minimalist score, allowing silence and ambient sounds to evoke an unsettling sense of dread.

Both Retribution and Pulse delve into the psychological implications of guilt and the haunting nature of unresolved pasts. While Pulse explores the existential dread brought about by technology and disconnection, Retribution offers a more personal reflection on how the past can manifest as a chilling specter in the present.

The use of supernatural elements in Retribution echoes the psychological fears present in Pulse, as characters in both films grapple with dark forces that stem from their choices and memories. The oppressive atmosphere in Retribution parallels the existential anxiety faced by the characters in Pulse, inviting viewers to confront their own deepseated fears and regrets. As Yoshioka inches closer to uncovering the truth, the film compels audiences to reflect on the weight of their actions and the haunted landscapes of their lives.

12. Ring 0: Birthday (2000)

Directed byNorio Tsuruta

Release Date: January 29, 2000

Ring 0: Birthday serves as a prequel to the acclaimed Ring series, offering a haunting origin story for the infamous Sadako Yamamura. The film delves into Sadako's early life as a troubled girl with a supernatural gift, plagued by visions of the future and an inability to connect with others. Set against the backdrop of a prestigious film school, the narrative reveals how her traumatic childhood experiences shape her into the vengeful spirit that terrorizes viewers in the original series.

The film’s atmosphere is thick with a sense of foreboding, enhanced by Tsuruta’s deft use of suspense and emotional depth. The cinematography captures the eerie beauty of its environment, from the dark, claustrophobic hallways of the film school to the unsettling rural settings that underscore Sadako's loneliness. One particularly striking scene involves a haunting vision of Sadako emerging from a well, blending her supernatural abilities with profound psychological horror.

As Sadako becomes the focal point of a student film project, the boundaries between reality and horror begin to blur. The film underscores themes of isolation, fear of abandonment, and the consequences of trauma, portraying Sadako not merely as a monster, but as a tragic figure shaped by her circumstances. This intricate characterization allows viewers to empathize with her plight, adding layers of depth to the terrifying legacy of her character.

Ring 0: Birthday and Pulse both probe the complexities of the human experience, examining the consequences of trauma and the pervasive sense of dread that accompanies unresolved emotions. While Pulse tackles the existential fears tied to technology and disconnection, Ring 0 explores the psychological horror rooted in personal suffering and alienation.

The characterdriven narratives in both films delve into how the past relentlessly shapes the present. Sadako’s tragic upbringing parallels the characters in Pulse, who grapple with their own haunting experiences in an increasingly disconnected world. Both films evoke chilling atmospheres that challenge audiences to confront their deeper fears about life, death, and the legacies we leave behind.

13. The Others (2001)

Directed byAlejandro Amenábar

Release Date: October 26, 2001

The Others is a masterclass in atmospheric horror, starring Nicole Kidman as Grace Stewart, a mother living in a remote mansion in postWorld War II England. Grace is fiercely protective of her two children, Anne and Nicholas, who suffer from a rare condition that makes them severely photosensitive, requiring a life shrouded in darkness. As the enigmatic narrative unfolds, the already tense atmosphere becomes suffused with mystery and dread when Grace hires three new servants to help manage the household.

The film expertly crafts an unsettling sense of isolation and paranoia, with every creak of the floorboards and shadow lurking in the corners serving to heighten tension. The cinematography by Javier Aguirresarobe captures this claustrophobia beautifully, utilizing low lighting and haunting visuals to evoke a sense of dread. One particularly memorable scene involves a chilling encounter with a ghostly figure, which not only serves as a catalyst for the plot but also symbolizes Grace’s deepseated fears and unresolved grief over the loss of her husband.

As the story unfolds, viewers are drawn into a labyrinth of twists and turns that culminate in a shocking and poignant revelation. The film deeply explores themes of grief, denial, and the bounds of maternal love, challenging the audience to reconsider their understanding of safety and the nature of the unknown.

Both The Others and Pulse navigate the complex interplay between reality and the supernatural, using psychological horror to delve into themes of isolation, loss, and the weight of emotional burdens. While Pulse addresses the anxieties stemming from technology and connectivity, The Others emphasizes the psychological toll of grief and the manifestation of fear in familial relationships.

The oppressive atmosphere in The Others, combined with its profound emotional depth, mirrors the existential dread present in Pulse. Both films feature protagonists who confront their pasts, ultimately leading them to face their greatest fears. The slow revelation of truths in The Others mirrors the gradual uncovering of horrors in Pulse, compelling viewers to engage with the complex emotional narratives that drive both stories.

14. Case 39 (2009)

Directed byChristian Alvart

Release Date: October 1, 2009

In Case 39, Renée Zellweger stars as Emily Jenkins, a wellmeaning social worker assigned to investigate the case of 10yearold Lillith Sullivan, played by Jodelle Ferland. Emily is drawn to Lillith’s innocence and tragic backstory, where she faces abuse from her parents, prompting Emily to intervene and seek a better life for the troubled girl. However, as Emily takes Lillith into her home, she soon discovers that the sweet demeanor of the young girl conceals a dark and sinister secret.

The film grips viewers with its compelling exploration of the motherdaughter dynamic, blurring the lines between protector and predator. As disturbing events unfold, including increasingly violent and supernatural occurrences, Emily realizes that Lillith is not just a victim but rather a conduit for malevolent forces. The tension escalates as she grapples with the horrifying realization that Lillith may be more dangerous than she appears, exemplified in scenes where Lillith manipulates those around her, presenting an unsettling duality of innocence and malice.

The cinematography enhances the film’s dark atmosphere, utilizing dimly lit settings that amplify the sense of impending doom. Noteworthy is a tense moment where Emily confronts her own deepest fears, forced to choose between her protective instincts and the terrifying reality of Lillith's true nature. This psychological horror unfolds in gripping ways, subtly weaving themes of trust, betrayal, and the darker sides of human nature.

Both Case 39 and Pulse delve into the profound fear surrounding the themes of miscommunication and misunderstandings in human relationships. While Pulse explores the alienating effects of technology, Case 39 focuses on the chilling dynamics of trust and the vulnerability inherent in close relationships, especially those forged in survival.

The emotional depth in Case 39, highlighted by Emily’s evolving relationship with Lillith, reflects the haunting isolation experienced by characters in Pulse. Both films explore the psychological disintegration of their protagonists, leading them to confront dark forces that emerge from their pasts. The gradual unraveling of truths in Case 39 serves as a parallel to the creeping dread in Pulse, inviting audiences to reflect on the hidden dangers that often lie within the very bonds that are meant to protect us.

15. REC (2007)

Directed byJaume Balagueró and Paco Plaza

Release Date: November 23, 2007

REC is a groundbreaking foundfootage horror film that masterfully blends reality and terror, following a television reporter, ?ngela Vidal, portrayed by Manuela Velasco, and her cameraman as they document a night in the life of a Barcelona fire station. What begins as a routine assignment quickly devolves into a nightmare when they respond to an emergency call at a struggling apartment building. Once inside, they find themselves trapped with both residents and the unknown terror that lurks within.

The film's unique format immerses viewers directly into the chaos, with the handheld camera perspective heightening the sense of immediacy and intimacy. As the scenes unfold, the lighting becomes increasingly erratic, reflecting the characters’ mounting fears. The tension escalates dramatically when they discover that the building has been quarantined due to an unexplained outbreak that transforms its inhabitants into aggressive, zombielike creatures. One gripping moment occurs when ?ngela captures the first attack on a resident, forcing the audience to confront the horror headon, fostering a chilling connection to the unfolding chaos.

REC not only delivers heartpounding scares, but it also examines themes of panic, survival, and the moral dilemmas faced in the face of catastrophe. The combination of visceral horror and social commentary elevates the film, forcing viewers to consider the lengths to which people will go to survive when societal norms are stripped away. This psychological element is exemplified when characters are forced to confront their own instincts, revealing profound insights into human nature under duress.

Both REC and Pulse explore the concepts of isolation and existential dread, albeit through different narrative lenses. While REC employs a claustrophobic horror style, illustrating the terrifying consequences of an outbreak, Pulse utilizes technology to showcase the psychological impacts of modern life.

The imminent threats in both films—the vengeful supernatural forces in Pulse and the monstrous transformation in REC—serve as reflections of deeper anxieties about the human condition. Characters in both narratives grapple with fear and despair, illustrating how chaos can unravel the very fabric of society. The realtime progression in REC creates a gripping urgency that resonates with the sense of dread experienced in Pulse, inviting viewers to confront their own fears regarding the fragility of human life and the darkness that sometimes lurks beneath the surface.

16. Paranormal Activity 3 (2011)

Directed byHenry Joost and Ariel Schulman

Release Date: October 21, 2011

Paranormal Activity 3 serves as both a prequel and a chilling exploration of the origins of the haunting that plagues the Paranormal Activity franchise. Set in 1988, the film takes us back to the childhood of sisters Katie and Kristi, capturing the eerie events that unfold in their suburban home. Using a blend of traditional filmmaking and cleverly designed camera setups, the installment employs a foundfootage style that enhances the sense of realism, immersing viewers into the unsettling world of childhood fears and the supernatural.

The film is notable for its creative use of various household camera techniques, including a ceiling fan camera that captures unsettling occurrences from above—a unique perspective that amplifies the inherent tension and sense of invasion. As the sisters begin to experience strange occurrences, such as unexplained noises and moving objects, viewers are gradually introduced to the malevolent presence that haunts their family. One particularly terrifying scene involves the girls’ playtime, where a simple game turns sinister as they unwittingly invite an unsettling entity into their lives.

The emotional core of Paranormal Activity 3 lies in the intimate portrayal of the sisters’ bond and the innocence of childhood juxtaposed against the encroaching darkness. As the chilling manifestations escalate, the film artfully chillingly explores the theme of protection—both the parents' efforts to shield their children from danger and the children's instinctual fear of the unknown.

Both Paranormal Activity 3 and Pulse depict the psychological effects of fear and isolation, using supernatural elements to mirror the anxiety of modern living. Pulse explores the alienation brought on by technology, while Paranormal Activity 3 highlights the vulnerability of individuals embroiled in their private worlds as malevolent forces intrude upon their lives.

The sense of inevitability in both films resonates deeply, with characters confronted by forces beyond their control. In Paranormal Activity 3, the gradual buildup of tension mirrors the slow, creeping dread in Pulse, as both narratives culminate in a chilling confrontation with the unknown. By blurring the lines between reality and the supernatural, both films encourage viewers to examine their own fears and vulnerabilities, ultimately leaving an indelible mark on the psyche.

17. Dead Silence (2007)

Directed byJames Wan

Release Date: March 16, 2007

Dead Silence unfolds the chilling tale of Jamie Ashen, portrayed by Ryan Kwanten, as he returns to the small town of Ravens Fair to uncover the truth behind the mysterious death of his wife, Ella, following the arrival of a sinister ventriloquist doll named Billy. The film quickly establishes a foreboding atmosphere, beginning with a gruesome sequence that captures the horrors tied to the doll and the eerie legacy of Mary Shaw, a vengeful spirit with a connection to ventriloquism that permeates the narrative.

From the outset, Dead Silence utilizes striking visuals and haunting sound design to elevate its suspense. The eerie quietness surrounding the doll and the chilling nursery rhyme associated with it amplify the film's tension, making even the most innocent moments deeply unsettling. One haunting scene showcases the doll in a dimly lit room, its lifeless eyes betraying a malevolent will that sends shivers down the spine of both Jamie and the audience.

The film’s exploration of fear through silence plays a crucial role in its eerie narrative. The characters' constant dread of being silenced by Mary Shaw evokes deeper themes of lost voices and unresolved traumas. As Jamie dives into the dark history of Ravens Fair, each encounter with the supernatural leads him closer to uncovering the truth—and facing the terrifying specter of his own guilt and past.

Both Dead Silence and Pulse delve into the haunting themes of isolation and the psychological impact of unresolved fears. Pulse explores the alienation that arises from technology and disconnectedness, while Dead Silence examines fear arising from the past and the manifestations of guilt—both films illustrate the chilling consequences of trauma and the lingering effects of one's choices.

The supernatural elements present in Dead Silence, particularly the malevolent influence of Mary Shaw, serve as a metaphor for the heavy burden of unresolved issues—similar to Pulse’s reflections on contemporary anxieties. Both films create a palpable sense of dread, drawing audiences into an unnerving exploration of what lies beneath the surface, ultimately inviting them to confront their own fears and the shadows of their past.

18. Silent Hill (2006)

Directed byChristophe Gans

Release Date: April 21, 2006

Silent Hill draws viewers into a chilling narrative as Rose Da Silva, played by Radha Mitchell, desperately searches for her adopted daughter, Sharon, who has been mysteriously drawn to the fogshrouded town of Silent Hill. With its dark, foreboding atmosphere, the film brilliantly captures the essence of dread rooted in personal fear and unresolved trauma. Rose's journey into this nightmarish landscape reveals Silent Hill as a place where the dark secrets of its past manifest, transforming the town into a hauntingly distorted reflection of her inner turmoil.

The film excels in its meticulous worldbuilding and stunning visual design, with cinematographer Mark Patton creating an unsettling ambiance that immerses audiences in the chilling isolation of Silent Hill. Each scene—whether it's the harrowing encounter with the terrifying pyramid head or the grotesque victims of the town’s dark history—builds upon the disquieting atmosphere. One particularly striking moment showcases the town transitioning from a seemingly abandoned hellscape to a nightmarish reflection of Rose's fears, expertly blending psychological horror with visceral imagery.

Integral to the narrative is the exploration of maternal instinct and guilt. As Rose traverses the horrors of Silent Hill, she confronts the manifestations of her own past mistakes and fears, urging viewers to reflect on the weight of unresolved issues and the lengths a parent will go to protect their child. The film's haunting use of symbolism, particularly in scenes featuring the pale, haunting figures of the town's inhabitants, calls back to the trauma and pain that permeate the narrative.

Both Silent Hill and Pulse grapple with themes of isolation and the haunting consequences of unresolved fears. While Pulse emphasizes the connection between technology and existential dread, Silent Hill approaches horror through the lens of guilt and the past's power to shape our realities.

Characters in both films navigate environments fraught with psychological terror, compelling them to confront both external and internal demons lurking beneath the fa?ade of everyday life. The emotional weight carried by Rose in her search for Sharon echoes the anxieties experienced by characters in Pulse, where personal connections are frayed by the unseen forces of modernity. Both films invite viewers to explore their fears and confront the shadows that play upon their psyches, culminating in a thoughtprovoking experience that lingers long after the credits roll.

19. Event Horizon (1997)

Directed by: Paul W.S. Anderson

Release Date: August 15, 1997

Event Horizon is a groundbreaking blend of science fiction and horror that transports viewers into the depths of space—a seemingly endless void haunted by unimaginable terror. The film follows a rescue mission to investigate the experimental spaceship Event Horizon, which mysteriously disappeared seven years prior while testing its revolutionary gravity drive, designed to create artificial black holes for fasterthanlight travel. Led by Captain Miller, played by Laurence Fishburne, the crew soon discovers that the ship has returned from a hellish dimension, bringing with it dark spiritual manifestations and a profound sense of dread.

Anderson’s taut direction manifests a relentless atmosphere of claustrophobia and horror, utilizing a chilling sound design and eerie visuals that keep audiences on edge. The ship itself, with its Gothic architecture and haunting interiors, becomes a terrifying character in its own right, filled with horrors lurking just out of sight. One particularly disturbing sequence reveals the fates of the previous crew members, showcasing the film's ability to juxtapose the fear of the unknown with the grotesque representations of pain and madness.

At its heart, Event Horizon also explores the psychological unraveling of its characters, particularly as they confront their own fears and personal traumas. Dr. Weir, portrayed by Sam Neill, becomes increasingly affected by the ship’s malevolent influence, exemplifying how the boundaries of sanity deteriorate within an environment devoid of light and hope. The film engages with themes of grief, existential dread, and the consequences of man’s hubris in reaching into the unknown.

Both Event Horizon and Pulse delve into the psychological and existential themes that arise from the intersection of technology and human frailty. While Pulse examines that existential dread stemming from a disconnection in an increasingly digital world, Event Horizon presents horror through the lens of exploration and the unknown.

The terror experienced by the crew mirrors the emotional turmoil faced by characters in Pulse, where both narratives unveil the darker aspects of human experience and the consequences of pushing beyond natural limits. The sense of inevitability and helplessness felt by the crew of Event Horizon, as they navigate horrors from a realm beyond understanding, echoes the pervasive dread of isolation and alienation confronted by characters in Pulse. Both films invite audiences to confront their deepest fears and reflect on the fragility of the human psyche when faced with the unknown.

20. The Ward (2010)

Directed by: John Carpenter

Release Date: January 21, 2011

In The Ward, a chilling tale unfolds in a secluded mental institution in 1966, where a young woman named Kristen, played by Amber Heard, finds herself incarcerated after an episode of arson. As she grapples with her fragmented memories and the reality of her surroundings, it becomes clear that the ward harbors dark secrets and malevolent forces that threaten the patients within its walls.

Carpenter's mastery of suspense is palpable throughout the film, utilizing a classic aesthetic that enhances its haunting atmosphere. The set design of the mental hospital—grimy corridors and dimly lit rooms—effectively evokes a sense of confinement and dread. One particularly intense sequence captures Kristen’s frantic attempts to escape, only to be confronted by a lingering supernatural presence: another patient named “Alice,” whose mysterious fate becomes central to the unfolding horror.

The psychological depth of the film elevates it beyond mere jump scares, delving into themes of identity, trauma, and the struggle for autonomy in a stifling environment. As the story progresses, Kristen must contend not only with the physical manifestations of terror but also with the haunting echoes of her past. This duality is portrayed through a series of disorienting flashbacks that reveal the origins of her trauma, ultimately intertwining her fate with the secrets of the institution.

The Ward and Pulse share a focus on psychological horror stemming from isolation and the weight of past traumas. While Pulse examines the existential dread of a digital age disconnected from authentic human interaction, The Ward navigates the oppressive atmosphere of mental illness and the haunting consequences of unresolved personal demons.

The journey of Kristen as she unravels the mysteries of her confinement parallels the struggles of characters in Pulse, who confront the dark realities hidden beneath the surface of their techsaturated lives. Both films evoke a creeping sense of dread, compelling audiences to confront their own fears about isolation, trauma, and the specters of the past that can haunt one’s present. Carpenter’s return to the horror genre resonates with the same existential themes explored in Pulse, creating a chilling exploration of the human psyche under duress.

Conclusion: By immersing ourselves in these 20 movies like Pulse (2001), we delve into a captivating domain of horror that resonates with the fundamental fears and anxieties of contemporary existence. Each film offers thematic and stylistic connections to Pulse, inviting audiences to confront the unsettling intersections of technology, isolation, and the supernatural. Whether you are a seasoned horror aficionado or just beginning to explore the genre, these films will deliver chilling experiences that echo well beyond the final frame.

About the Author: Emily Johnson

Emily Johnson is a writer, journalist, and critic at similar-list.com. She has also written and produced entertainment stories at Universal Pictures and Paramount Studios. Emily Johnson graduated with honors from New York University's Tisch School of the Arts. Now, as an entertainment writer, She has had the opportunity to interview some of her favorite directors, attend international film festivals, movie premieres, and more. She loves that throughout her career, she hasn't just observed the entertainment industry from afar but has become an integral part of it.

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