20 Best Psychological Thriller Movies Like Split | Similar-List

Split (2016) stands out as a riveting psychological thriller. It masterfully showcases the complexities of identity disorder, with James McAvoy delivering an unforgettable performance. The film intricately explores the depths of the mind, captivating viewers through intense character arcs and unexpected plot twists. If you enjoyed Split, several films delve into similarly complex characters and the darker aspects of human nature. Works like Glass and Black Swan offer thrilling narratives that plunge audiences into psychological tension and moral dilemmas.

The film enthralls audiences with its unique narrative centered around Kevin Wendell Crumb, a man battling dissociative identity disorder and demonstrating an astounding 23 distinct personalities, brought to life by the exceptional James McAvoy. With its layered psychological tension, the film weaves a gripping narrative that keeps viewers engaged and leads to shocking revelations. For those captivated by Split, we have curated a list of 20 films that evoke similar feelings of suspense and psychological depth, each exploring the human mind's intricate facets.

Glass (2019)

Director: M. Night Shyamalan
Plot: As a sequel to Split and Unbreakable, Glass follows Kevin Crumb, portrayed by James McAvoy, as he confronts David Dunn, played by Bruce Willis, in a mental institution. Their contrasting identities collide, bringing their respective struggles into sharp focus. With multiple personalities, Kevin's character remains unpredictable and volatile, making him a formidable opponent for David, who also grapples with the moral implications of his role as a vigilante.

Like Split, Glass continues to explore profound themes of identity and reality. The film delves into the psychological implications of labeling individuals heroes or villains. Each character's journey raises ethical questions about the nature of good and evil, compelling viewers to reflect on their perceptions.

Glass introduces Dr. Ellie Staple, a psychiatrist played by Sarah Paulson, who specializes in treating patients who believe they have superhero powers. Her character serves as a conduit for exploring societal perceptions of mental illness and the stigma attached to it. This dynamic adds layers to the narrative, questioning whether these extraordinary abilities are genuine or purely a manifestation of psychological disorders.

The film weaves commentary on the superhero genre and societal expectations, effectively challenging viewers to rethink the typical tropes. The dialogue between David Dunn and Kevin Crumb underscores the internal conflicts that fuel their rivalry. At the same time, Elijah Price, also known as Mr. Glass (Samuel L. Jackson), provides a unique perspective on the necessity of conflict in defining identity. His manipulation adds a cerebral layer to the film and encapsulates the concept of being both victim and villain.

Shyamalan's signature style shines through as he employs a carefully crafted atmosphere that enhances the psychological tension. The use of color and lighting—especially in the scenes depicting the mental institution—evokes claustrophobia and unease. The cinematography amplifies the characters’ emotional struggles, making their internal battles palpable to the audience.

Upon its release, Glass received mixed reviews, but it has been praised for daring to blend psychological drama with superhero elements. Its exploration of identity resonates in today’s culture, where discussions about mental health and self-perception are more relevant than ever. The film invites viewers to consider the impact of labels and how they shape our understanding of ourselves and others.

The Collection (2012)

Director: Marcus Dunstan
Plot: In this spine-chilling sequel to The Collector, the story picks up with the surviving protagonist, Elena, who is captured by a masked psycho known for his elaborate traps and sadistic style. The plot revolves around a group of friends who decide to launch a rescue mission into a deserted warehouse filled with deadly traps and horrors designed by the Collector.

Much like Split and its exploration of psychological horror, The Collection delves into the workings of a twisted mind. The Collector, with his ruthless and meticulous approach to his victims, engages with themes of survival, trauma, and the psychological effects of fear. The film showcases extreme psychological tension as the characters grapple not only with physical threats but also with the trauma of their experiences.

The film is laden with suspenseful tension that keeps viewers on the edge of their seats, mirroring the psychological stakes present in Split. As characters navigate a labyrinth of horrors, the sheer unpredictability of the traps keeps audiences engaged.

Just as Split dives into Kevin’s complex psyche, The Collection also offers glimpses of the characters’ vulnerabilities and strengths. Elena, portrayed by Emma Fitzpatrick, emerges as a determined survivor, grappling with the trauma of captivity while showing resilience that resonates with viewers.

The film employs innovative gore effects and chilling visuals, creating a visceral experience. The cinematography captures both the claustrophobia of the trapped environments and the dynamic action sequences, enhancing the audience's experience of dread akin to the psychological thrill of Split.

In The Collection, the lingering effects of survival against a sadistic captor are palpable. Characters are forced to confront their fears and the scars of their past experiences, paralleling how Kevin’s character in Split embodies the struggles of living with a fractured identity.

Hell Fest (2018)

Director: Gregory Plotkin
Plot: Set against a traveling horror theme park backdrop, Hell Fest follows a group of friends who embark on a thrilling night of fun at a Halloween festival packed with chilling attractions. However, the experience takes a terrifying turn when a masked killer begins to stalk and murder attendees, turning their festive outing into a night of horror.

Much like Split and other psychological thrillers, Hell Fest plays on the concept of fear and the human psyche’s response to perceived danger. The film cleverly blurs the line between entertainment and reality, as the characters find themselves caught in a terrifying situation where the allure of horror becomes deadly.

The film explores the nature of fear, questioning how far people will go for entertainment. This theme resonates strongly in a society fascinated by horror, where the line between acceptance of fear and facing real danger is intricately woven.

The festival setting emphasizes feelings of isolation—even amidst a sea of people. Characters face the horror alone, highlighting the chilling reality of being hunted in a setting where no one realizes the danger.

The masked killer serves as a metaphor for the hidden dangers in everyday life. Just as Kevin Wendell Crumb in Split reveals the complexities of human identity, the killer's faceless nature in Hell Fest represents the anonymity that can hide true intentions.

Hell Fest entertains and comments on society's obsession with horror culture. It subtly critiques the fascination with real-life horror and how entertainment can desensitize individuals to actual violence. This theme is particularly relevant in modern discussions about media consumption and the impact of violent imagery on behavior.

By intertwining elements of fear, friendship, and survival, Hell Fest invites viewers to reconsider the nature of their fears while delivering a spine-chilling horror experience. It stands as a testament to how vulnerability can manifest in the face of true terror, engaging audiences with both thrills and deeper reflections on what it means to confront fear head-on.

If you seek a film that reinforces Split's thrilling aspect while exploring the darker and more tumultuous paths of fear and identity, Hell Fest is captivating.

Identity (2003)

Director: James Mangold
Plot: Identity starts with a fierce rainstorm that strands ten strangers at a remote motel in Nevada. As they seek shelter, tensions rise among the group, which includes an ex-cop, a young couple, a pop star, and a mysterious drifter. The plot thickens when each individual starts to vanish one by one, leading to paranoia and fear as the remaining guests realize that their lives are intertwined in ways they couldn't have imagined.

Much like Split, Identity delves into the complexities of the human psyche, revealing how past traumas and fractured identities can manifest dramatically in dire situations. The film’s exploration of multiple personalities echoes the themes presented in Split, where psychological tension builds as characters confront the darker aspects of their identities.

The narrative unfolds through a series of unsettling twists that catalyze character revelations, making the audience question reality and the reliability of perception. With its shocking climax, where the character's true nature is unveiled, Identity poses essential questions about self-awareness, morality, and the lengths the mind can go to protect itself.

For viewers intrigued by Split's focus on identity disorder, Identity offers an absorbing take on the psychological thriller genre. It compels the audience to reflect on the fragility of personal identity and the impact of traumatic experiences, driving home the message that the past can shape—and sometimes destroy—the present. Watching Identity provides suspenseful entertainment and a deeper consideration of how our minds process trauma.

In terms of notable performances, John Cusack shines as the lead, embodying a character grappling with his demons while attempting to maintain order amidst chaos. The ensemble cast, which includes Rebecca De Mornay and Pruitt Taylor Vince, brings tension and authenticity to the unfolding drama, ensuring that viewers remain engrossed until the final, shocking revelations.

Through clever writing and unexpected turns, Identity is a compelling example of how psychological thrillers can explore the delicate balance of sanity and insanity. It leaves audiences questioning their perceptions of reality and the nature of their identities. It is a worthy addition to the canon of thrillers that share thematic elements with Split, inviting viewers into a labyrinth of suspense and psychological complexity.

The Cell (2000)

Director: Tarsem Singh
Plot: In this visually stunning psychological thriller, Catherine Deane (played by Jennifer Lopez) is a child psychologist who uses revolutionary technology to enter the minds of her patients. When a serial killer named Carl Stargher (Vincent D'Onofrio) falls into a coma, and the authorities are unable to retrieve vital information from him about his latest victim, Catherine is enlisted to explore Stargher's mind to save the girl before it’s too late.

The Cell is a visceral exploration of the human psyche, akin to the psychological depth found in Split. Both films delve into the complexities of the mind, presenting dark, twisted realities shaped by trauma and psychological disturbances. The Cell excels in its visual storytelling; the dream-like sequences and surreal environments draw viewers into the disturbed subconscious of the killer, showcasing a world where nightmares become tangible.

The film is renowned for its stunning visuals, created using elaborate sets and innovative camera techniques, producing a blend of horror and art that enhances its narrative. The confrontation between good and evil is depicted not just through the characters' actions but also through the powerful imagery that symbolizes the internal struggles of both the victim and the perpetrator.

Moreover, The Cell features notable performances from its cast. Jennifer Lopez delivers a compelling portrayal of a dedicated psychologist willing to risk her sanity to save a child. Her character's journey through the terrifying landscapes of Stargher's mind highlights how deeply trauma can alter perception and reality, much like Kevin Wendell Crumb’s struggle with his various personalities in Split.

In addition to its psychological themes, The Cell raises questions about morality, the ethics of psychological manipulation, and the consequences of confronting one’s fears. The film provokes viewers to reflect on how much a person can endure mentally and emotionally, paralleling the experiences of those faced with mental health challenges in Split.

The Last House on the Left (2009)

Director: Dennis Iliadis
Plot: In this chilling remake of the 1972 film by Wes Craven, The Last House on the Left follows the harrowing tale of Mari Collins (Brittany Snow), a teenage girl who is kidnapped and brutally attacked by a group of escaped convicts. After the horrifying assault, Mari manages to escape, but not before the criminals discover the location of her family's secluded home. What ensues is a shocking twist as the Collins family, led by Mari's parents (played by Tony Goldwyn and Monica Potter), confront the very individuals who inflicted unimaginable violence upon their daughter.

The film is a brutal exploration of revenge and the loss of innocence. It delves into the lengths to which a parent will go to protect their child, presenting a raw examination of morality when faced with extreme circumstances. The violent themes resonate with Split as both films play with the boundaries of psychological trauma and the instinctual drive to survive against seemingly insurmountable odds.

Like Split, The Last House on the Left explores the psychological fallout of trauma and violence. The film dives deep into the mental struggles of both Mari and her parents. Mari grapples with the aftermath of her torment, while her family faces an existential crisis as they navigate the moral implications of their actions in pursuit of justice.

Brittany Snow’s portrayal of Mari captures the essence of a young girl struggling not only for her life but also to reclaim her identity after her traumatic experience. Her forced transformation from a carefree teenager to a resilient survivor mirrors the complexities found in characters like Kevin from Split.

In conclusion, The Last House on the Left is not just a tale of survival; it's a complex narrative reflecting human nature's darkness. It resonates with Split in its portrayal of psychological trauma and moral ambiguity. For those who appreciate the intense psychological themes in Split, this film offers an unsettling yet thought-provoking viewing experience that lingers long after the credits roll.

Maniac (2012)

Director: Franck Khalfoun
Plot: Maniac follows Frank (played by Elijah Wood), a disturbed man running a mannequin restoration business in Los Angeles. Haunted by the trauma of his childhood, Frank becomes a vigilante killer, targeting unsuspecting women and displaying their scalps on his mannequins as trophies. The film’s chilling premise is intensified through its unique POV cinematography that puts the audience directly in Frank’s shoes, creating a deeply immersive and disturbing experience.

Maniac intertwines obsession and fractured identity that resonate with the psychological exploration found in Split. Both films delve into the tumultuous inner lives of their protagonists, inviting viewers to grapple with the complexities of mental illness and morality. For instance, Frank’s unhinged psyche is portrayed through his relentless struggle to navigate his violent urges, emphasizing the fine line between victimhood and monstrosity. The dedication to realism through the first-person perspective captures Frank’s deteriorating mental state, akin to how Kevin’s multiple identities manifest in Split.

Additionally, the film’s moody synth soundtrack and gritty urban atmosphere augment its menacing vibe, paralleling the mounting tension and psychological dread that defines Split. As viewers learn more about Frank's tragic backstory, the film prompts critical questions about nature versus nurture and the roots of his violent tendencies, similar to how Split examines Kevin’s traumatic experiences and racial identity.

Maniac serves as an unsettling yet thought-provoking counterpart to Split for those intrigued by psychological thrillers that probe the human mind's darkness. It elevates the horror genre through its innovative narrative style and immersive character study. The film forces audiences to confront the uncomfortable realities of mental illness and the potential for violence that lurks within fractured human psyches.

Last Night in Soho (2021)

Director: Edgar Wright
Plot: Eloise, a young woman passionate about fashion design, is mysteriously transported back to 1960s London, where she encounters a dazzling singer named Sandie. As Eloise becomes enthralled by Sandie’s glamorous life, she soon realizes that the allure of the past carries dark and disturbing secrets that begin to unravel her psyche.

Last Night in Soho shares thematic elements with Split through its exploration of identity, alter ego, and the psychological toll of obsession. Just as Kevin in Split battles with his multiple personalities, Eloise grapples with her fascination for a bygone era and the consequences of her dreams. Both films delve into the complexities of the mind, illuminating how deep desires can morph into haunting nightmares.

The film skillfully intertwines the vibrant aesthetics of 1960s London with a modern narrative, creating a rich visual tapestry that enhances the story's emotional weight. The contrast between Eloise's contemporary life and Sandie's glamorous yet sinister world serves as a commentary on the dangers of romanticizing the past. Edgar Wright's masterful direction also incorporates stylish editing and a pulsating soundtrack that immerses viewers in the narrative, much like the immersive experience crafted in Split.

As the plot unfolds, Eloise experiences vivid nightmares that blur the lines between her reality and the dreams she enters. The film’s use of visual effects and sound design intensifies the psychological tension, compelling the audience to question what is real and imagined—similar to Kevin's surreal experiences in Split. This harrowing descent into madness and confusion ultimately leads to shocking revelations about Sandie’s fate, echoing the powerful twists that Shyamalan is known for.

Moreover, the film features standout performances, particularly from Thomasin McKenzie as Eloise and Anya Taylor-Joy as Sandie, whose portrayals embody the contrasting yet interconnected themes of ambition and the perils of losing oneself. Their characters serve as reflections of one another, as Eloise’s struggles to navigate her identity mirror Sandie’s tragic narrative.

By exploring the interplay of nostalgia, ambition, and the darker side of fame, Last Night in Soho positions itself alongside other psychological thrillers like Split, offering audiences a gripping experience that challenges their perceptions of time, identity, and reality.

Wolf Creek (2005)

Director: Greg McLean
Plot: Set against the haunting backdrop of the Australian outback, Wolf Creek follows three backpackers—Liz (Cassandra Magrath), Ben (John Jarratt), and Kristy (Kestie Morassi)—who are on an adventure of a lifetime. When their car breaks down near the infamous Wolf Creek National Park, they encounter a seemingly friendly local, Mick Taylor (John Jarratt), who offers his assistance. However, what begins as a chance encounter quickly spirals into a terrifying nightmare as Mick reveals his true, sadistic nature.

Much like Split, Wolf Creek delves into the fragility of the human psyche when faced with unimaginable horror. The film explores themes of survival and the darker side of humanity, showcasing how ordinary people can become prey in the face of extreme evil. What sets Wolf Creek apart is its relentless realism and grounded approach; inspired by true events, it invokes a sense of dread by emphasizing that unspeakable horrors can exist within the vast, desolate beauty of the Australian landscape.

Additionally, Mick Taylor's portrayal as a chilling embodiment of a predator provides a terrifying antagonist and highlights how trust can be distorted into betrayal. His character is not just a monster but a caricature of the violent criminal lurking beneath the surface of everyday life, drawing viewers into a narrative that forces them to confront their vulnerabilities.

Wolf Creek garnered attention for its raw intensity and unflinching depiction of violence. It received mixed reviews from critics, with some praising its terror and tension while others critiqued its grim nature. Nevertheless, it has become a cult classic, often discussed in the context of other influential horror films. Its bleak outlook and stark portrayal of fear resonate with audiences, making it a significant entry in the psychological thriller genre. It sparked discussions about the representation of violence in cinema and the boundaries of horror storytelling.

Following its success, Wolf Creek spawned a sequel, Wolf Creek 2 (2013), and a television series, further exploring the haunting legacy of its iconic killer. The franchise has solidified Mick Taylor as one of the most memorable villains in modern horror, and it continues to attract viewers drawn to its unique blend of psychological terror and visceral realism.

In conclusion, Wolf Creek is a harrowing exploration of fear, survival, and the dark recesses of human nature. It is a must-watch for fans of psychological thrillers like Split, which examines the complexity of terror in seemingly ordinary circumstances.

Haute Tension (2003)

Director: Alexandre Aja
Plot: This French horror-thriller centers around two college friends, Marie and Alex, who travel to Alex’s family home for a quiet weekend getaway. Their peaceful retreat quickly turns into a night of terror when a mysterious and brutal killer invades the house, leading to a gruesome and relentless chase as Marie fights to save her friend from the clutches of the psychopathic intruder.

Haute Tension is a visceral journey into fear and suspense, showcasing intense psychological themes similar to those in Split (2016). Both films utilize a duality in their characters—Marie’s transformation from a passive friend to a desperate fighter mirrors Kevin Wendell Crumb's multifaceted personality in Split.

The film is notable for its skillful use of tension and atmosphere, drawing viewers into a claustrophobic setting where every moment is charged with suspense. The cinematography is meticulous; wide shots of the rural setting contrast sharply with the close-up intensity of the encounters with the killer, amplifying the viewer's anxiety. Furthermore, Aja employs sound design effectively, using silence and sudden auditory shocks to heighten the tension, a technique echoed in the psychological battles within Split.

Moreover, the film culminates in a shocking twist ending that redefines the narrative, much like the mind-bending revelations in Split. This twist not only serves to shock the audience but also prompts a deeper reflection on the nature of identity and the mind, paralleling the theme of deeply embedded psychological issues faced by the protagonists in both films.

Haute Tension exemplifies how fear can be woven into the fabric of character experiences, creating a game of cat and mouse that explores the darker aspects of humanity. Blending visceral horror with psychological depth is a potent addition to the realm of psychological thrillers that fans of Split will undoubtedly appreciate.

Gothika (2003)

Director: Mathieu Kassovitz
Plot: In Gothika, we follow Dr. Miranda Gray (Halle Berry), a respected psychiatrist at a women's mental institution, who finds herself incarcerated as a patient after a grisly murder she cannot recall committing. Struggling with her reality, Miranda grapples with visions of a ghostly woman who seems desperate to communicate something crucial. As she delves deeper into her mind and the haunting mystery surrounding her, Miranda discovers unsettling truths about her past and the dark secrets of the institution.

Similar to Split, Gothika explores mental illness and the haunting impacts of trauma. Both films feature protagonists who wrestle with their fractured perceptions of reality. Miranda’s descent into madness parallels Kevin Crumb’s struggle with his dissociative identity disorder, showcasing the psychological toll that trauma exacts.

Gothika stands out with its atmospheric tension and chilling visuals that enhance the elements of psychological horror. The film not only relies on jump scares but also deeply explores how grief, guilt, and unresolved trauma can manifest into haunting experiences. For example, the ghost in the film is not a mere plot device but a haunting representation of Miranda's repressed guilt, reminiscent of how Kevin’s multiple identities are manifestations of his past trauma.

Moreover, Gothika provides commentary on the treatment of mental health patients. Miranda's initial position as a doctor, juxtaposed against her new role as a patient, leads to profound reflections on the stigma surrounding mental illness—much like how Split challenges perceptions of mental disorders and the individuals who live with them.

The film also features compelling performances beyond Halle Berry, including Penélope Cruz as a fellow inmate and Robert Downey Jr. as Miranda's estranged husband, who complicates her sense of reality. Their performances add depth to the narrative, emphasizing the importance of relationships in understanding one’s psyche amid chaos.

By intertwining supernatural and psychological elements, Gothika delivers a thought-provoking narrative that encourages viewers to confront societal misconceptions about mental health. This makes it a compelling watch for fans of psychologically charged thrillers like Split.

The Visit (2015)

Director: M. Night Shyamalan

Plot: In this gripping found-footage thriller, siblings Becca and Tyler travel to visit their estranged grandparents in rural Pennsylvania. What begins as a joyful reunion quickly takes a dark turn as the children discover their grandparents displaying increasingly bizarre and unsettling behavior. As their delightful vacation devolves into a nightmare, the siblings must confront the chilling realities of their grandparents' true nature.

Much like Split, The Visit employs psychological tension and unexpected twists to keep the audience guessing. Both films masterfully weave elements of suspense with personal and familial conflicts. In The Visit, the children's innocence starkly contrasts the sinister undertones of their grandparents' actions. The film explores themes of trust and fear within familial relationships, echoing the anxiety present in Split as Kevin's psychological struggles affect those around him.

Additionally, Shyamalan's signature twist ending is fully displayed in The Visit, reminiscent of the shocking revelations in Split. Just as audiences are led to one conclusion, they are abruptly confronted with a twist that forces them to reconsider everything they thought they knew about the characters. This ability to engage viewers and build suspense is a hallmark of Shyamalan's storytelling, making both films thrilling and thought-provoking.

Regarding cinematography, The Visit uses handheld cameras to add authenticity to the unfolding horror. The feeling of being a "fly on the wall" amplifies the tension, much like the immersive experience crafted in Split, where viewers feel intimately connected to Kevin's psychological turmoil.

Ultimately, The Visit is a chilling exploration of the horrors that can lurk beneath a familiar facade, making it a fitting companion to Split's psychological depth. Both films challenge perceptions of reality and sanity, leaving audiences with lingering questions about trust and the complexities of human relationships.

10 Cloverfield Lane (2016)

Director: Dan Trachtenberg

Plot: After a car accident, Michelle (Mary Elizabeth Winstead) awakens in a shelter, where she is held by Howard (John Goodman), a survivalist who claims that the outside world has become uninhabitable due to a chemical attack. As she tries to understand her situation, Michelle is torn between her instincts to escape and the unsettling stories Howard tells about the world above. With another shelter inhabitant, Emmett (John Gallagher Jr.), she navigates the psychological tension of living under Howard’s strict control while questioning whether it’s safer outside or if Howard is telling the truth about the dangers beyond their walls.

10 Cloverfield Lane masterfully combines psychological horror and science fiction elements, exploring themes of paranoia, control, and the nature of trust. Howard’s character embodies the unpredictability of mental instability, drawing parallels to the "survivalist" mindset that can thrive in times of crisis. His erratic behavior and sporadic kindness create an atmosphere of constant tension as Michelle and Emmett navigate their lives within these confined quarters.

Michelle's evolution throughout the film is particularly noteworthy. Initially portrayed as vulnerable, she transforms into a resourceful and resilient character. This transformation challenges traditional gender roles often seen in thrillers, as she takes command of her fate rather than succumbing to fear. For instance, her strategic use of the environment—crafting tools and devising escape plans—highlights her ingenuity and determination.

While 10 Cloverfield Lane is distinct from its predecessor, Cloverfield (2008), it enriches the broader Cloverfield universe with its ambiguous ties to external catastrophic events. Director Dan Trachtenberg deliberately leaves ambiguous whether the perceived threat results from a global catastrophe (such as the monster attack from the first Cloverfield film) or Howard’s delusions. This suspenseful uncertainty keeps viewers on edge, compelling them to question the reliability of the characters' interpretations of reality—an element that resonates strongly with fans of psychological thrillers.

The film’s claustrophobic setting within the bunker intensifies the sense of isolation and vulnerability. Cinematographer Jeff Cutter’s tight framing enhances the characters' confinement, while the layered sound design amplifies the tension. For example, the sudden eerie silence juxtaposed with the muffled sounds of an unknown threat outside contributes to a pervasive sense of dread.

10 Cloverfield Lane is a gripping psychological thriller that effectively explores themes of survival, trust, and the complex nature of reality. Through its richly developed characters and tense narrative, it provides a chilling experience. For fans seeking a film that masterfully blends psychological tension with sci-fi elements, this film is a riveting choice that keeps you guessing until the end.

Halloween: Resurrection (2002)

Director: Rick Rosenthal
Plot: In Halloween: Resurrection, the legacy of Michael Myers continues as the film opens with a twist on the original story. After seemingly eliminating Michael in Halloween H20: 20 Years Later, Laurie Strode, played by Jamie Lee Curtis, finds herself in a psychiatric facility following the traumatic events. However, she quickly realizes that the infamous killer is not truly dead, leading to a tense confrontation between the two.

To capitalize on the popularity of reality TV, the story shifts to a group of college students who participate in an online show called "Dangertainment." This show is set in the infamous Myers home on Halloween night, where they aim to convince viewers that they are living in the terrifying legacy of Michael Myers. As the participants engage in their challenges, the atmosphere of the haunted house becomes palpable, filled with hidden cameras and live-streamed fear.

Halloween: Resurrection bridges the classic horror elements that established the franchise and the modern trends of early 2000s horror. The movie emphasizes the psychological impact of being stalked by a relentless force, capturing the fear that has haunted the characters since the original film. The use of found footage and the blending of horror with reality television mirrors the shifting landscape of horror movies during this time.

The film introduces diverse characters with backgrounds and relationships, effectively embodying the archetypes familiar in the horror genre. These characters include the overconfident jock, the feisty girl-next-door, and the nerdy techie, which serve to engage a younger audience. The film contrasts Laurie's maturity and trauma with the seemingly carefree youthfulness of the college students, highlighting the generational divide in how fear manifests and is handled.

A central theme in Halloween: Resurrection is physical and psychological survival. Laurie's struggle to overcome her past while facing her nemesis adds depth to her character, contrasting with the youthful bravado of the students, who lack the same understanding of the horror they are entering. Additionally, the film examines the legacy of trauma passed through generations, as Laurie represents those who have survived and learned from their experiences. At the same time, the new characters navigate their naïveté in the face of real danger.

Though Halloween: Resurrection received mixed reviews, its blend of traditional slasher elements with modern horror techniques revitalizes the franchise for a new generation. The movie serves as a commentary on how fear evolves and how the past can haunt those unaware of its dangers. With its twists and incorporation of contemporary themes like reality TV, Halloween: Resurrection contributes to Michael Myers's ongoing legacy, proving that true horror lies in the chase and the psychological scars that linger long after the danger has passed.

This film may not be lauded as a classic in the horror genre. Still, it undoubtedly plays a significant role in the evolution of the Halloween series, satisfying longtime fans while attempting to draw in a new audience through familiar horror tropes and fresh themes.

Fear of Rain (2021)

Director: Castille Landon
Plot: In this psychological thriller, Rain Burroughs, a teenage girl portrayed by Madison Iseman, grapples with the challenges of living with schizophrenia. As she navigates her reality, Rain becomes convinced that her new neighbor is holding a kidnapped child, compelling her to unravel the mystery while battling her mind's treachery.

Much like Split, Fear of Rain delves deep into the complexities of mental illness, shining a light on how it can distort perception and reality. The film brilliantly captures the struggles of a young person faced with both external threats and internal turmoil. Rain's character embodies the feeling of isolation that often accompanies mental health challenges, making her journey both poignant and relatable.


Rain is portrayed as a deeply sympathetic character whose struggles with her diagnosis are sensitively illustrated. Both vulnerability and strength mark her character arc as she learns to trust her instincts while grappling with the fear that her mental illness may be clouding her judgment. This internal conflict resonates with viewers, encouraging empathy and understanding toward those with similar experiences.

The film portrays the stigma surrounding mental health issues, particularly for adolescents. Rain’s friends and family often misunderstand her struggles, leading to feelings of isolation. This aspect of the narrative highlights the importance of awareness and openness in discussions about mental health, making the viewer reflect on societal perceptions of those living with schizophrenia.

The director employs a mix of suspenseful cinematography and sound design to immerse the audience in Rain’s distorted reality. For instance, the use of disorienting camera angles and abrupt sound changes enhances Rain's feeling of confusion, drawing viewers into her world. This technique mirrors the stylistic choices seen in Split, as both films create a tangible sense of the character's psychological state.

As Rain's investigation unfolds, the film builds tension with unexpected twists that keep viewers guessing. The layering of suspense with a psychological twist echoes the hallmark storytelling of Shutter Island and Get Out, blending psychological depth with thrilling narratives.

Ultimately, Fear of Rain calls for compassion and understanding toward those facing mental health challenges. By portraying Rain's journey with empathy, the film invites audiences to recognize that the realities of mental illness are complex and multifaceted. This message is powerful in fostering dialogue about mental health and encouraging support for those in need.

In summary, Fear of Rain (2021) complements the themes found in Split and similar psychological thrillers. It offers a profound exploration of mental health while delivering a suspense-filled narrative that captivates the audience.

Hush (2016)

Director: Mike Flanagan
Plot: In this intense home invasion thriller, a deaf writer named Maddie, played by Kate Siegel, isolates herself in her remote home to work on her latest novel. Her quiet solitude is brutally interrupted when a masked killer appears, turning her secluded sanctuary into a deadly battleground. As she fights for her life, Maddie must rely on her wits and resourcefulness to survive, all while navigating the challenges of her disability.

Hush explores themes of isolation and vulnerability, paralleling the psychological tension in films like Split. The film's innovative use of sound—or the lack thereof—adds to the suspense, engaging viewers in a unique auditory experience. This creative choice immerses the audience in Maddie's world and heightens the tension, making every sound imperatively threatening.

Notably, the film showcases a minimalist approach, using a confined setting to amplify the stakes. Without the usual noise of alarms, phone calls, or bustling streets, the silence becomes a character, amplifying Maddie’s fear and desperation.

The killer's menacing presence contrasts sharply with Maddie's calm demeanor as she employs her creativity, intelligence, and determination to outsmart her attacker. For instance, she uses her knowledge of the house layout and her keen observation skills to set traps and create distractions, reflecting a psychological battle not just between the hunter and the hunted but also within Maddie herself as she confronts her limitations and fights against them.

Hush is an example of how psychological thrillers can effectively utilize character-driven narratives to create suspense. It compels audiences to confront their fears regarding vulnerability and survival instinct, making it a gripping addition to the genre and a must-watch for fans of Split, who appreciate nuanced storytelling with a strong central character.

Shutter Island (2010)

Director: Martin Scorsese

Plot: U.S. Marshal Teddy Daniels, portrayed by Leonardo DiCaprio, investigates the mysterious disappearance of patient Rachel Solando from Ashecliffe Hospital, a remote psychiatric facility for the criminally insane. As Teddy delves deeper into the case, he confronts not only the enigmatic nature of the institution but also the haunting memories of his late wife, Dolores (played by Michelle Williams), whose presence haunts him throughout the film. The atmospheric tension builds as Teddy uncovers unsettling truths about the facility, including the shocking experimental treatments Dr. John Cawley (Ben Kingsley) conducted that blur the line between sanity and madness.

Like Split, Shutter Island intricately weaves psychological themes with a haunting atmosphere, engulfing audiences in a suspenseful journey filled with unexpected twists and revelations. The film brilliantly challenges viewers' perceptions of reality, taking them on a mind-bending ride culminating in a jaw-dropping twist in the final act. Just as Kevin in Split battles his own fractured identity, Teddy’s internal struggle mirrors this as he grapples with the guilt of losing his wife and the fragility of his mental state.

Beyond its gripping storyline and complex characters, Shutter Island also raises profound questions about the nature of trauma and the human mind's ability to cope with its darkest truths. The film's cinematography and score effectively enhance the sense of dread, immersing the audience in a palpable sense of unease. For instance, the chilling visuals of the storm-lashed island and the imposing architecture of Ashecliffe Hospital serve not just as a backdrop but as a character in their own right, reflecting the tumult within Teddy's mind.

Moreover, the film's exploration of moral ambiguity and the ethical dilemmas faced by those in the mental health field force viewers to confront uncomfortable truths about society's treatment of the mentally ill. By examining the complexities of human emotion and the gray areas of morality, Shutter Island resonates deeply, particularly for fans of psychological thrillers who appreciate narratives that offer more than surface-level shocks.

The Invitation (2015)

Director: Karyn Kusama
Plot: When Will receives an unexpected invitation to a dinner party hosted by his ex-wife Eden and her new husband, he reluctantly attends, bringing along his girlfriend. As the evening unfolds, the atmosphere grows tense and unsettling, marked by strange behaviors from the hosts and an unsettling sense of foreboding. Will's instincts raise alarms as he questions the intentions behind the reunion and grapples with his haunting past.

The Invitation embodies psychological tension akin to Split, focusing on the frailty of the human psyche. As Will becomes more suspicious of Eden's motives, the film explores themes of grief, loss, and the struggle to reconcile with the past. The dinner party setting is a microcosm of social dynamics, showcasing the thin veneer of civility that can shatter under pressure. Just as Kevin’s multiple personalities manifest in Split, Will's emotional turmoil and protective instincts come to the forefront, leaving audiences questioning who can be trusted.

The film expertly builds suspense through its slow-burn narrative. Karyn Kusama skillfully employs tight framing and dim lighting to evoke feelings of claustrophobia and discomfort. The unsettling music further heightens tension, making every awkward pause and nervous laugh laced with dread. The guests’ increasingly erratic behavior, punctuated by cryptic conversations about a cult and meditation, heightens the sense of isolation and paranoia.

The gripping climax reveals a shocking twist that elevates the film from a simple thriller to a profound commentary on human relationships and the potential darkness within them. The results can reflect the psychological struggles depicted in Split, where the line between sanity and madness may become alarmingly blurred.

The Invitation starkly reminds us how trauma can shape identities and influence behaviors. It is a gripping choice for fans seeking films that examine the intricacies of the mind while keeping them on the edge of their seats.

Us (2019)

Director: Jordan Peele
Plot: In Us, a family's serene beach vacation becomes a nightmare when confronted by their terrifying doppelgängers. The film follows Adelaide Wilson (Lupita Nyong'o) and her husband, Gabe (Winston Duke), as they attempt to survive a night filled with horror brought on by these mirror images, who seem to embody their darkest selves.

Similar to Split, Us skillfully examines themes of identity and duality. The concept of the "Tethered," as the doppelgängers are known, symbolizes the parts of ourselves that we often ignore or fear. This portrayal encourages viewers to reflect on their own suppressed emotions and the societal issues that contribute to the fractured selves we hide away.

Incorporating striking visuals and a haunting score, Us creates an atmosphere of dread that resonates with its audience long after the credits roll. The gripping performances, especially by Lupita Nyong'o, who plays the terrified mother and her fierce doppelgänger, elevate the film into a psychological exploration of fear and survival. Nyong'o's portrayal showcases a remarkable range, highlighting the internal struggle between the normal and the monstrous.

With its intricate plot twists and emotionally charged themes, Us invites viewers to probe the complexities of human identity, much like Split does. Both films emphasize that the most frightening battles are the ones fought within—the parts of ourselves that we strive to hide or forget. As we navigate the treacherous waters of our psyche, Us serves as a chilling reminder that confronting our darker half is a key to understanding ourselves.

The Strangers (2008)

Director: Bryan Bertino
Plot: After a romantic evening turns into a night of terror, a young couple, James and Kristen, retreat to a secluded vacation home. Their peaceful getaway is shattered when three masked strangers arrive and begin to terrorize them, turning their idyllic night into a chilling fight for survival. The film builds suspense through psychological horror, emphasizing the unpredictability of violence and the vulnerability of its characters.

The Strangers exemplifies the essence of psychological thrillers by exploring fear, isolation, and the unknown. The attackers' unprovoked nature raises unsettling questions about why they targeted this particular couple, leaving viewers to ponder the randomness of violence in the real world. The film plays on the couple's primal fears—being watched and hunted—and their sense of entrapment within the confines of the remote house.

In summary, The Strangers serves as a harrowing reminder of how quickly normalcy can devolve into chaos, echoing the themes found in other psychological thrillers about the fragility of safety and the unpredictability of human behavior. Its impact comes from the thrills and its ability to tap into our deepest fears, making it a standout entry in the genre.