9 Must-Watch Movies Like Woman Of The Hour | Similar-List

Netflix’s Woman of the Hour, directed by Anna Kendrick, dives into the disturbing case of Rodney Alcala—a 1970s serial killer who shockingly appeared on The Dating Game. Rather than centering on Alcala’s dark psychology, the film chooses a survivor-centric approach, shining a light on the enduring impact of Alcala’s crimes on his victims and their families. This narrative choice reflects a broader shift in true-crime storytelling toward humanizing the stories of those who survived and those who were affected.

Historically, true-crime media has often fixated on notorious killers, dissecting their psychology to understand what drove them. However, this focus has faced increasing criticism, with many viewers calling for portrayals that spotlight survivors and communities rather than criminals. For example, Ryan Murphy’s Monsters franchise has drawn scrutiny for this very reason. Woman of the Hour and similar films address this need by prioritizing resilience and the experiences of survivors. Here are other 9 movies that follow this approach, exploring survival in the face of terror, resilience, and the untold stories behind the headlines.

9 Must-Watch Movies Like Woman Of The Hour

The Lovely Bones: A Haunting Tale of Loss and Resilience

The Lovely Bones (2009), directed by Peter Jackson, presents a chilling yet deeply moving portrayal of grief and resilience, with a stellar cast featuring Saoirse Ronan, Mark Wahlberg, and Stanley Tucci. Set in 1973, the story centers on young Susie Salmon (Ronan), who, after falling victim to a serial killer, watches over her family from the afterlife. Her father, Jack Salmon (Wahlberg), becomes obsessed with solving her murder, tormented by unanswered questions as he senses her lingering presence. Meanwhile, Susie's killer, George Harvey (Tucci), lurks as an unsettling presence in the neighborhood, hiding in plain sight.

Based on Alice Sebold's novel, The Lovely Bones, offers a supernatural take on the trauma and grief following such a loss. Though fictional, the film mirrors the tragic real-world horrors of the 1970s, a period marked by notorious serial killers like Ted Bundy, David Berkowitz (the Son of Sam), and Rodney Alcala, whose crimes terrorized communities and devastated families. Much like Woman of the Hour, The Lovely Bones prioritizes the perspective of the victim and those left behind, emphasizing the emotional weight of survival, loss, and the relentless pursuit of closure.

Boston Strangler: A Gritty Look at Justice and Gender in a True Crime Classic

Boston Strangler (2023), directed by Matt Ruskin, brings new depth to the chilling real-life story of one of America’s most infamous killers. Set in the 1960s, this film follows the determined journalist Loretta McLaughlin (Keira Knightley) as she investigates the case of the Boston Strangler, who terrorized the city with a series of gruesome murders. Facing resistance in a male-dominated newsroom, Loretta teams up with fellow reporter Jean Cole (Carrie Coon) to uncover a pattern in the killings that had gone unrecognized. Together, they pursue the case with relentless resolve despite the dangers and the sexism they encounter inside and outside the newsroom.

Unlike typical crime films that focus on the killer’s psychology, Boston Strangler emphasizes the perspectives of those driven to bring the truth to light. Loretta and Jean's investigative journey spotlights not only their journalistic persistence but also the challenges women face in a male-dominated field. The film portrays the personal sacrifices these reporters made to confront the stigma around violent crime reporting and seek justice for victims.

Much like Woman of the Hour, Boston Strangler dives into the courage and endurance of individuals fighting for the truth, reminding viewers that the stories of those seeking justice can be as compelling as the cases themselves. This gripping portrayal highlights the terror of a community and the determination of those who stand up against it, making Boston Strangler a powerful addition to true-crime cinema with a survivor-centric lens.

Extremely Wicked, Shockingly Evil and Vile: A Deep Dive into Manipulation and Betrayal

Extremely Wicked, Shockingly Evil and Vile (2019), directed by Joe Berlinger, offers a gripping and disturbing portrayal of one of America’s most notorious serial killers, Ted Bundy. Through the lens of his long-time girlfriend, Elizabeth Kendall (played by Lily Collins), the film explores the tumultuous and emotionally charged relationship between Bundy and Elizabeth, providing a unique perspective on the effects of his horrifying actions on those closest to him.

Set against a backdrop of the 1970s and early 1980s, the film intricately weaves together Bundy’s charm and charisma with the chilling reality of his crimes. While Elizabeth initially struggles to reconcile her love for Bundy with the mounting evidence against him, the film effectively captures her journey of realization as she grapples with the devastating truth about the man she thought she knew. This exploration of emotional manipulation is a poignant reminder of how predators can operate beneath the surface, deceiving even those closest to them.

Unlike traditional true-crime narratives that often glorify the killer’s heinous acts, Extremely Wicked, Shockingly Evil and Vile shifts the focus to the personal turmoil and trauma experienced by Elizabeth. It highlights the impact of Bundy’s violence not just on his victims but also on those who loved them, underscoring the theme of survivor resilience. This aligns closely with the mission of Woman of the Hour, which emphasizes the stories of those who endure the aftermath of violence rather than the twisted psychology of the criminals themselves.

Moreover, the film delves into the media frenzy surrounding Bundy’s trial, showcasing how sensationalism can overshadow the real-life tragedies that unfold in the wake of such crimes. It challenges viewers to consider the narratives often prioritized in true-crime storytelling, echoing the cultural shift towards survivor-centric narratives.

In summary, Extremely Wicked, Shockingly Evil and Vile stands out as a powerful examination of manipulation, trauma, and the complexities of love in the face of evil. It tells a chilling story and serves as a compelling reminder of the strength and resilience found in the aftermath of violence—making it a fitting recommendation for fans of Woman of the Hour.

My Friend Dahmer: A Haunting Exploration of Early Warning Signs

My Friend Dahmer (2017), directed by Marc Meyers, presents a chilling yet thought-provoking portrayal of the high school years of Jeffrey Dahmer, one of the most infamous serial killers in American history. Based on the graphic novel by Derf Backderf, a classmate of Dahmer's, the film explores the complex and often unsettling dynamics of friendship and the early signs of a disturbed mind.

Set in the late 1970s, the film focuses on a young Jeffrey Dahmer (played by Ross Lynch) as he navigates the challenges of adolescence, grappling with feelings of isolation, bullying, and his emerging dark impulses. Through the lens of Derf (Alex Wolff), the narrative reveals how Dahmer’s peculiar behavior often went unnoticed by those around him. His struggles with his home life, particularly with an alcoholic father and an emotionally distant mother, further complicate his identity and foreshadow the horrors he would eventually commit.

One of the most compelling aspects of My Friend Dahmer is its exploration of the intuition of those who sense something amiss, even when the signs are subtle. Derf and his friends observe Dahmer’s unsettling behavior but dismiss it as eccentricity, showcasing how societal norms can sometimes obscure the more alarming indications of a troubled individual. This theme resonates strongly with Woman of the Hour, which emphasizes recognizing and trusting one’s instincts in danger.

The film doesn’t stop depicting the societal indifference that allows such figures to slip through the cracks. It reflects on the broader issue of mental health awareness and the critical importance of addressing behavioral red flags before they escalate into tragedy. By humanizing Dahmer during his formative years, the film invites viewers to reflect on the complexities of his character and the societal failures that contributed to his descent into madness.

Additionally, My Friend Dahmer captures the unsettling tension of the era, presenting a vivid backdrop of late 1970s America that amplifies the anxiety and confusion surrounding Dahmer’s burgeoning darkness. The cinematography and period detail immerse viewers in this unsettling world, enhancing the film's emotional impact.

In conclusion, My Friend Dahmer is a powerful reminder of the importance of vigilance and empathy in our communities. Focusing on the signs that often precede tragedy and the societal factors that can enable such darkness to flourish aligns with the mission of Woman of the Hour. Both films compel audiences to engage with the narratives of those affected by violence, emphasizing resilience and awareness in the face of the unimaginable.

Zodiac: A Gripping Exploration of Obsession and Investigation

Zodiac, directed by David Fincher and released in 2007, is a meticulously crafted thriller that delves into the real-life hunt for the elusive Zodiac Killer, who terrorized Northern California in the late 1960s and early 1970s. This film, based on the non-fiction book by Robert Graysmith, chronicles the obsessive quest for justice by a trio of individuals: a cartoonist, a journalist, and a pair of detectives. Their relentless pursuit of the truth highlights not just the dangers posed by the killer but also the toll such investigations take on their personal lives.

The narrative unfolds through the eyes of Robert Graysmith, portrayed by Jake Gyllenhaal, who becomes increasingly consumed by the mystery surrounding the Zodiac Killer. Graysmith's obsession grows as he uncovers cryptic letters sent by the killer to local newspapers, taunting law enforcement and claiming responsibility for multiple murders. His pursuit of truth leads him to collaborate with seasoned reporter Paul Avery (Robert Downey Jr.) and San Francisco detectives Dave Toschi (Mark Ruffalo) and Bill Armstrong (Anthony Edwards). The film's structure interweaves these characters' arcs and allows viewers to witness the emotional and psychological impacts of their fixation on a case that remains unsolved.

Zodiac's focus on the investigators' lives and the emotional strain of such relentless pursuit makes it particularly compelling. As the investigation drags on and the killer remains at large, each character grapples with their demons, facing threats to their relationships and personal well-being. This theme resonates with the survivor-centric approach of Woman of the Hour, which also emphasizes the profound effects of crime on individuals and communities, shifting the focus away from glorifying the perpetrator.

Furthermore, Zodiac explores the societal fascination with serial killers, reflecting on how media coverage can distort public perception and contribute to the mythos surrounding these figures. The film critiques the sensationalism often associated with true crime, urging viewers to consider the real-life consequences of such narratives on victims and their families. In this sense, Zodiac serves as a powerful commentary on the ethics of crime reporting, aligning with the more respectful treatment of survivor stories seen in Woman of the Hour.

The film's cinematography, combined with its haunting score by David Shire, effectively captures the tension and paranoia that characterized the era. Fincher’s attention to detail immerses audiences in the period, from the grainy visuals to the atmospheric sound design, enhancing the story's emotional weight.

Zodiac stands out not just as a gripping thriller but as a profound exploration of obsession, the quest for truth, and the lasting impacts of violence on those affected. It resonates deeply with the themes presented in Woman of the Hour, both films prioritizing the voices and experiences of those intertwined with the tragic consequences of crime. As true crime narratives evolve, movies like Zodiac challenge viewers to engage thoughtfully with the stories, fostering a deeper understanding of the complexities surrounding crime and its aftermath.

Summer of Sam: A Chilling Look at Fear and Community

Summer of Sam, directed by Spike Lee and released in 1999, captures the chaotic summer of 1977 in New York City, a time when the city was gripped by fear due to the terror of the infamous Son of Sam killer. This film intertwines the fictional stories of a group of friends navigating love, relationships, and the intense atmosphere of paranoia that envelops their neighborhood during the reign of a serial killer.

The film centers around Vinny (John Leguizamo), a young man struggling with infidelity and a sense of identity as the city around him descends into chaos. With the media frenzy surrounding the Son of Sam killings, fear and suspicion seep into everyday life, affecting the dynamics of his group of friends, including his wife, Dionna (Mira Sorvino), and their acquaintances. The film expertly portrays how the threat of violence alters relationships and community ties, echoing the survivor-centric themes seen in Woman of the Hour.

Summer of Sam goes beyond just the murders; it delves into the cultural climate of the time, showcasing the vibrant yet tumultuous landscape of 1970s New York City. Lee paints a vivid picture of the era, incorporating the burgeoning punk rock scene, social upheaval, and racial tensions, all set against the backdrop of a city on edge. This rich tapestry adds depth to the narrative, allowing audiences to experience the fear of a killer and the vibrant life that pulses through the city.

The portrayal of the Son of Sam as a shadowy figure catalyzes the characters' fears and insecurities. While the killer's actual identity remains somewhat abstract throughout the film, the impact of his actions is palpable, with each character grappling with their sense of safety and trust. This aligns with Woman of the Hour, which focuses on the effects of crime on survivors and their communities rather than glorifying the perpetrators.

Additionally, Summer of Sam tackles themes of masculinity, infidelity, and the search for identity amid chaos. The characters face personal demons, and their relationships are tested as they navigate the emotional fallout of a city under siege. The film’s climax, which reveals the killer’s identity and the aftermath of his capture, serves as a stark reminder of the lingering psychological scars that violence leaves on a community.

Spike Lee’s masterful direction and storytelling ensure that Summer of Sam is not merely a horror story but a complex exploration of the human experience in the face of fear. The film’s dynamic cinematography, combined with a pulsating soundtrack featuring music from the era, immerses viewers in a time when paranoia ruled the streets.

Summer of Sam offers a profound commentary on how violent events can fracture a community while simultaneously highlighting the resilience of individuals. Its exploration of fear, relationships, and societal impact resonates with the survivor-focused narratives present in Woman of the Hour. As true-crime storytelling continues to evolve, films like Summer of Sam invite audiences to reflect on the deeper implications of violence, the importance of community, and the enduring strength of those who survive.

Monster: A Deep Dive into the Life of Aileen Wuornos

Monster, released in 2003 and directed by Patty Jenkins, is a haunting biographical film that delves into the life of Aileen Wuornos, portrayed powerfully by Charlize Theron. The film chronicles Wuornos’s transformation from a victim of circumstance to a notorious serial killer, exploring the complex interplay between trauma, survival, and societal judgment.

The narrative follows Aileen, a homeless sex worker struggling to navigate a world that has repeatedly abused her. Living on the fringes of society, she meets and falls in love with Selby Wall (Christina Ricci), a character inspired by Wuornos’s real-life lover. Their relationship blossoms against poverty and desperation, giving Aileen a fleeting sense of hope and normalcy. However, as the pressures of their harsh reality mount, Aileen's violent outbursts and instinct for survival lead her down a dark path.

What separates Monster is its unflinching examination of Aileen's life experiences and the traumas that shaped her. The film does not shy away from depicting the grim realities of her past, including childhood abuse and systemic neglect. This background creates a sense of empathy, compelling viewers to consider the societal failures that contribute to her tragic fate. Theron's transformative performance earned her an Academy Award for Best Actress, showcasing her commitment to authentically portraying Aileen’s complex emotional landscape.

Monster also raises critical questions about morality and justice. As Aileen begins to commit violent acts against her clients, the film presents her motivations not merely as a reflection of evil but as desperate responses to her harsh environment. This focus on the psychological and social factors surrounding her actions resonates with the themes explored in Woman of the Hour, where the narrative centers on the voices of survivors and the enduring impact of violence.

The film’s cinematography adds to its raw and gritty atmosphere, with dim lighting and close-ups that enhance the emotional weight of Aileen's experiences. The juxtaposition of her moments of vulnerability with scenes of violence creates a powerful commentary on the human condition—how love can coexist with pain and how survival can often lead to moral ambiguity.

Moreover, Monster does not seek to glorify Aileen’s actions; instead, it invites viewers to grapple with the complexities of her character and the societal implications of her story. The film challenges the audience to reflect on the broader issues of gender-based violence, exploitation, and the legal system's treatment of women, particularly those deemed "unfit" by societal standards.

Monster is a poignant exploration of Aileen Wuornos's life, illuminating the intersection of personal trauma and societal neglect. Its focus on Aileen as a survivor who navigates a hostile world aligns with the themes of resilience found in Woman of the Hour. As true crime narratives evolve, films like Monster offer valuable insights into the lives of those affected by violence, urging viewers to consider the circumstances that shape individuals and the society that judges them. If you were captivated by Woman of the Hour and its emphasis on survivor narratives, Monster provides a compelling and thought-provoking experience that deepens the conversation around trauma and justice.

Watcher: A Tense Exploration of Fear and Intuition

Watcher, released in 2022 and directed by Chloe Okuno, is a gripping psychological thriller that immerses viewers in the unsettling world of surveillance and paranoia. Starring Maika Monroe as Julia, the film effectively captures the pervasive sense of dread that can accompany feelings of vulnerability, particularly for women navigating the complexities of urban life.

Set against the backdrop of Bucharest, where Julia has recently moved with her husband, the film explores her growing suspicion of a neighbor whom she believes is a serial killer. The tension escalates as Julia's instincts kick in, prompting her to confront her fears and isolation in a new city. This focus on a woman’s intuition and the often-dismissed validity of her fears resonates deeply with the themes in Woman of the Hour, where the stories of survivors and the impact of violence are brought to the forefront.

What makes Watcher particularly compelling is its exploration of the psychological toll such paranoia can take on an individual. The film deftly weaves a narrative that highlights how fear can warp perception, leading to a dangerous spiral of anxiety and mistrust. Julia's experiences reflect the broader societal issues of how women's voices are often minimized or disregarded, especially when their fears are irrational. This parallel to the survivor narratives in Woman of the Hour amplifies the urgency of listening to those who have endured trauma and violence.

Cinematically, Watcher employs a minimalist style that enhances its tension. Long takes and careful framing immerse viewers in Julia’s perspective, making her paranoia palpable. The sound design further contributes to this atmosphere, with unsettling ambient noises amplifying the sense of dread as Julia’s fears manifest. The film cleverly plays with the audience’s expectations, leading to moments of suspense that are both thrilling and unnerving.

Moreover, the film does not shy away from addressing themes of misogyny and the societal pressures women face. Julia's experiences serve as a reminder of the often harrowing reality for women who must navigate both public and private spaces with a heightened sense of caution. The narrative challenges viewers to consider the implications of a culture that frequently downplays women's fears and concerns, aligning with the broader critique of Woman of the Hour regarding the portrayal of survivors and victims.

As the story unfolds, the tension reaches a boiling point, leading to a climax that forces Julia to confront not only the external threat she perceives but also her internal struggles with fear and isolation. The film's conclusion leaves viewers questioning the nature of safety and the complexities of navigating a world where one’s intuition may be the only reliable guide.

Watcher offers a thought-provoking and unsettling experience that echoes the survivor-centric narratives seen in Woman of the Hour. Its emphasis on the importance of listening to and validating women's experiences makes it a valuable addition to the genre of psychological thrillers that seek to empower rather than diminish the voices of those who have faced trauma. If you were drawn to Woman of the Hour for its focus on survival and the emotional impact of violence, Watcher is a must-watch, providing a chilling yet insightful perspective on the themes of fear, intuition, and resilience.

Gone Girl: A Dark Exploration of Deception and Survival

Gone Girl, released in 2014 and directed by David Fincher, is a captivating psychological thriller that expertly weaves themes of manipulation, media sensationalism, and the complexities of marriage. Based on Gillian Flynn’s bestselling novel, the film stars Rosamund Pike as Amy Dunne and Ben Affleck as her husband, Nick. Their seemingly perfect life shatters when Amy goes missing on their fifth wedding anniversary, setting off a media frenzy and a desperate search that reveals the dark undercurrents of their relationship.

What makes Gone Girl particularly compelling is its intricate narrative structure and sharp critique of societal expectations surrounding marriage and gender roles. As the story unfolds, viewers are drawn into a web of deceit and psychological games, mirroring the themes of survival and resilience found in Woman of the Hour. Both films emphasize the struggles faced by women in oppressive circumstances, albeit from different angles—Gone Girl delves into the depths of betrayal and revenge. In contrast, Woman of the Hour highlights the courage and strength of survivors confronting their trauma.

Amy’s character is a complex masterclass; she is both victim and perpetrator, challenging viewers to reassess their perceptions of truth and morality. Her elaborate plot to frame Nick for her murder serves as a chilling commentary on the lengths to which one might go to reclaim agency in a society that often undermines women's voices. This exploration of female agency is echoed in Woman of the Hour, where the narratives center on the experiences and perspectives of survivors, emphasizing the importance of their stories in the face of violence.

The film’s narrative cleverly alternates between present-day events and Amy’s diary entries, providing insight into her psyche and the disintegration of her marriage. This dual perspective creates a tension that keeps audiences on the edge of their seats, paralleling the suspenseful atmosphere of Woman of the Hour. Both films harness the power of storytelling to engage viewers deeply, encouraging them to empathize with the characters’ plights while grappling with moral ambiguities.

Visually, Gone Girl employs a dark and moody aesthetic that complements its themes of unease and deception. Fincher’s meticulous direction ensures that every frame contributes to the film’s atmosphere, much like the careful attention to detail in Woman of the Hour. The use of sharp contrasts and unsettling sound design heightens the sense of paranoia that pervades both films, inviting audiences to experience the characters’ turmoil.

Moreover, Gone Girl raises critical questions about the media’s role in shaping public perception and the portrayal of women in crime narratives. The film critiques how media sensationalism can distort the truth, as seen in the character of Nick, who becomes a public figure subjected to judgment and scrutiny. This theme resonates with Woman of the Hour, where the focus shifts from glorifying criminals to elevating the voices of victims and survivors, highlighting the need for responsible storytelling in true crime narratives.

In conclusion, Gone Girl is a powerful exploration of deception, survival, and the complexities of relationships. Its dark and intricate narrative, coupled with a profound examination of gender dynamics, aligns seamlessly with the themes presented in Woman of the Hour. For those drawn to stories that delve into the psychological depths of human experience and emphasize the resilience of individuals facing adversity, Gone Girl offers a thrilling and thought-provoking cinematic experience that will leave viewers questioning their assumptions long after the credits roll.

As Woman of the Hour highlights, the true crime genre is evolving to give a voice to survivors, families, and communities affected by violence. Rather than romanticizing criminals, these stories celebrate resilience, offering a respectful yet gripping look at the profound effects of trauma. By emphasizing survival and recovery, movies like Woman of the Hour bring a deeper empathy to true crime—a genre now more committed than ever to honoring those who endure and overcome.